of Horacio Vaggione. Curtis Roads. The composition of music has evolved into an interactive process of directly sculpting sound morphologies on multiple time. Horacio Vaggione is an argentinian composer of electroacoustic and instrumental music. He co-founded the Experimental Music Center of the University of. This article stresses the important contribution of Horacio Vaggione to inserting the computer within a musical project. The theoretical contributions of Vaggione.

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Horacio Vaggione has been a laureate of the Newcomp prize vaaggione computer-assisted composition in Cambridge inTrimac in and the Bourges prizes ofand In he undertook his first work in electro-acoustic music at the CIAL, the acoustics research centre yoracio the Institute for mathematics and physics of the University of Cordoba Ceremonia for tape,then installed an electro-acoustic studio in his home.

Bourges Prizes, Here, her work touches on implicit musical tensions between noise and silence, language and sound, material and transcendence — dichotomies that often form the binaristic conditions that are confronted and deconstructed within meditative and ritualistic practice.

This article has multiple issues. Past and present ricochet. In he settled in Madrid, spending four years in Spain.

Euphonie d’Or Bourges, His music is characterised by lively, often violent colours, but also by subtle relationships that are set up between the acoustic instruments and the recorded or computer-generated part Thema for bass saxophone and tape-computer,through the exploration of the meaning of the material used and its potential, as well as on the symbolic significance of the musical figures Septuor for electronic ensemble, Please help by adding reliable sources.

His compositions concern morphology the study of the forms of things by building sturdy structures from these minute grains, bringing the ear to a sonic world made up of atoms forming and reforming in their cohesion. As early as the s, Vaggione began coupling his compositional work with computation as a means of transposing digital concerns to the instrumental level. From Wikipedia, the free encyclopedia. Euphonie d’Or Bourges, As an entry point for web resources, its aim is to present at least a succinct biography of a composer as well as links to the Cdmc’s own information resources: He subsequently taught in this department, was appointed teaching head of the electro-acoustic studio, then manager of the SIM computer music system, a research laboratory that later became the CICM research centre for computing and music creationof which he became director in Listen to extracts of works.


Cdmc resources Listen to extracts of works. Retrieved from ” https: PianoHertz was composed from a collection of piano sounds that Vaggione played, recorded, and expanded digitally with the intention to foster the birth of multiple classes — some retaining the dynamic traits of the original sounds while others representing radical mutations.

Timpani has never been heard publicly. At the same time he followed public classes at the faculty of philosophy and studied serial composition techniques composition with Juan Carlos Paz in Buenos Aires.

Biographies Forty Components The Composer at work. Modelos de universo III represents his earliest experiments with granulation and digital micromontage.

Electroacoustics to Carry Along

Ars sonora, no 2. As a teenager, exposure to the local DC punk scene beget collaboration and performance. Search for a composer. Born between ISSUE serves as a leading cultural incubator, facilitating the commission and premiere of innovative new works vaggiobe genres of music, dance, literature and film.

Horacio Vaggione / | ISSUE Project Room

Horacio Vaggione born is an Argentinian composer of electroacoustic and instrumental music who specializes in micromontage, granular synthesis, and microsound and whose pieces are often vaggions for performers and computers mixed music. Using field recordings from domestic settings and site specific locations in Poland and Germany, and techniques of repetition, moving stillness, restraint, and tension, keeps her sonic sources hidden, rather focusing on the transmission and decay of overwhelming thematic elements into minor sonic forms.

Slow, furious, erotic, and unheimlich landscapes unfold. Horacio Vaggione vaggiohe born in in Moldes in the province of Cordoba in Argentina. The composer has specialised in micromontage, granular synthesis, as well as micro-sounds and microtemporality Nodal; Arenas He also discovered the latest works of Iannis Xenakis and attended, in Germany, the summer courses at Darmstadt. Writings and research papers: In he presented a doctoral thesis entitled Poly-phonies: By using this site, you agree to the Terms of Use and Privacy Policy.


Born and raised into an Orthodox Jewish family, the droning and whispered sounds of the Ashkenazic synagogue service and Chasidic melodies were a formative introduction to abstracted sound expression.

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VAGGIONE Horacio () | Centre de documentation de la musique contemporaine

Horacio Vaggione includes computer technology in his compositional processes, developing ideas of stratification, figuration, articulation, morphology and singularity. The specific problem is: Editions Musicales Transatlantiques,p. For Vaggione, composing is a vabgione of generating veritable, unique events and articulating them within a multiplicity of timescales, scalable within ever-expanding digital environments. Learn how and when to remove these template messages.

Writings and research papers: This page was last edited on 27 Juneat February Learn how and when to remove this template message. Documentation available at Cdmc. Censorship was omnipresent and any avant-garde cultural movement was banned; tanks surrounded the university and Horacio Vaggione could no longer work. Horacio Vaggione born is an Argentinian composer of electro-acoustic and instrumental music who specializes in micromontagegranular synthesisand microsound and whose pieces are often vaaggione for performers and computers mixed music.

From to he continued his apprenticeship at the Arts School of the National University of Cordoba with Olger Bistevins harmony and orchestrationCarlos Gasparini counterpoint and organCesar Franchisena musical formJuan Carlos Fernandez history of music and Ornella de Devoto piano.

A move to San Francisco brought exposure to rave culture – arousing the experimentation with electronics that continues to this day. Voice, electronics, and a highly confrontational austerity is set against the backdrop of the mutant metropolitan city.

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